Author Archives: Julian Stubbs

Liverpool Place Branding Event May 31st & June 1st, 2018

Join us in Liverpool for the Place Branding Event of 2018.

Place Branding? It’s not about the logo

So, if it’s not about ‘the logo’, what is it about? Join the vibrant discussion on what it takes to create a successful place and destination brand at the International Place Branding Event Liverpool 2018. Featuring speakers from top city destinations such as Amsterdam, London, Stockholm, Barcelona, Hamburg, Liverpool and more, this lively forum is designed to spark discussion and stimulate thought and debate. The place branding event will take place a decade on from Liverpool’s year as European Capital of Culture, which is looked back on as a hugely transformative award. Since 2008, Liverpool has seen a year-on-year increase in visitors and won external acclaim for its innovative place branding work. The event is for both private and public professionals working with place and destination branding, marketing and communications. This includes cities, city districts, municipalities, regional and national governmental employees as well as consultants and academic institutions. Special ticket prices available for groups and academic attendees. Click here:  

Meet the city stylists: A new breed of communicators shaping today’s place brands

As cities grow in size and importance, the image of the city is coming under the control of savvy communicators who know what it takes to create a successful destination brand.

A new breed of ‘city stylists’ and ‘cool coordinators’ are shaping perceptions.

A few years ago, when global urbanisation passed the tipping point of 50%, a new era was heralded: for the first time in the history of the planet, more humans were living in urban areas than in the rural environment. Cities have always been key focal points for developing culture, trade and politics as wealth, prosperity and communications propel us ever-forwards through history.
“Like a piece of architecture, the city is a construction in space, but one of vast scale, a thing perceived only in the course of long spans of time.” Kevin Lynch, The Image of The City, 1960.
Cities are complex organisms that shape-shift across history, sometimes influencing, or being influenced by, the fate of the mother state. Cities are dynamic environments, constantly in a state of flux, renewal, growth, expansion, and with numerous stakeholders, all with a vested interest in how the city functions and also how it is perceived at local, and global levels. Today, perhaps more than ever, cities are competing with one another. In the age of the digital nomad, where borders are soft, and employment is location-independent, cities are competing to attract their future citizens and to retain top incumbents. Cities have become brands, many positioning themselves as post-industrial creative hubs intent on seducing the mobile and fickle creative classes. As economies depend more and more on intellectual property, these city brands have had to up their game to woo potential citizens. Architecture has always been one of the key tools in city branding and provided a boon for so-called ‘starchitects’ as each city ticks-off their ‘must-have’ lists of Hadids, Fosters, Pianos, Koolhaas’s and Liebeskinds.
“Architecture is central to this urban rebranding, the skin on a town or city’s face.” Tom Dyckhoff, The Age of Spectacle, 2017.
By attracting human capital in the form of intellectuals and artists, thinkers and makers, cities can become hotbeds of innovation, generating creative capital that in turn stimulates further development and economic growth. Attraction, thus, is a key aspect in enticing new burgers to settle down and set-up shop. A strong city brand can go some of the way in attracting interest. However, it is the ‘content’, the way in which a city can fulfil its promise, that is the ultimate litmus test. Hype can grab attention, but if there is little to substantiate the claim, or a lack of underpinning, then attention will be cast elsewhere and one only has to look at the history of utopian communities, such as Robert Owens’ New Harmony, in Indiana, USA, for evidence of how high ideals and promises vs actuality aren’t always guaranteed to produce a successful outcome. So, this begs the question: who owns the image of the city?
“Not only is the city an object which is perceived (and perhaps enjoyed) by millions of people of widely diverse class and character, but it is the product of many builders who are constantly modifying the structure for reasons of their own. While it may be stable in general outlines for some time, it is ever changing in detail. Only partial control can be exercised over its growth and form. There is no final result, only a continuous succession of phases. No wonder, then, that the art of shaping cities for sensuous enjoyment is an act quite separate from architecture or music or literature. It may learn a great deal from these other arts, but it cannot imitate them.”(Lynch)
Many municipalities will claim that they own the image of their city. However, in today’s online world, Googling images of a city will often deliver swathes of visitor-generated content that reflects how the city is perceived – not necessarily how the municipality wants to portray it. As with many brands – the true owners are often not the brand itself, but its consumers.

Cities are people, not concrete

In 2016, I attended a forum in Rotterdam, discussing precisely this topic. Google searches on the term ‘Rotterdam’ produced unending images of the city’s edgy architectural icons. However, the people, and the culture of the city were rarely portrayed. ‘Betonville’ – was my own personal name for this phenomenon and the city’s overt leveraging of edgy architecture – a term that was somewhat validated by a speaker from the municipality’s city marketing department, who stated: “it’s all very nice, but concrete has no soul, and we miss the balance of the human element in the portrayal of our city.” Consequently, a strategy was devised to populate the citybranding image bank – part of the marketing Toolkit – with manifold shots of people on the streets in an attempt to display the character and multi-ethnicity of the city, on a human scale.
“Potentially, the city is in itself the powerful symbol of a complex society. If visually well set forth, it can also have strong expressive meaning.” (Lynch)
However, this is all still very much in the ‘self-promotion’ category, pressing the ‘send’ button and launching one’s desired vision into the ether. The narrative is much more convincing when an independent third-party shapes the perception and, in the past, this would have entailed press junkets, plying reporters with lavish food and accommodation and hoping that they would be favourable to the cause. Those days are long gone, however, partly due to the breakdown of conventional media giving rise to new breeds of independent journalists and writers.

Bringing in the press

Furthermore, to corral this new breed of reporters, bloggers, vloggers and foodies, still requires a well-considered strategy and coordinated vision if the city in question is to be represented optimally. Rotterdam has been one of the most successful cities in creating a buzz around its ongoing development in recent years. Always the poorer, less glamourous relative of long-term show-stopper Amsterdam, Rotterdam has had to fight damn hard to emerge from the shadow of its northern neighbour – now a mere 25 minutes away by regular high-speed train from the stunning, new, swoopy Rotterdam Centraal Station. The city’s previous claim to fame was based around Europoort – the sprawling harbour area east of the city stretching some 40km to the North Sea coast. It was this 24-hour hard-working mega-port that distilled the rolled-up-sleeves and no-nonsense, down-to-earth spirit that the Rotterdammers effortlessly embrace and embody. That, and the resolution to rebuild the city after it was devastated by bombing raids during WWII. The official city slogan ‘Make it Happen’ is firmly in tune with that characteristic. Now, as the modern city centre seeks space to expand, the former dockyards and industrial wharves are being turned into innovation docks, maker spaces and places of industrial-spectacle-verging-on-art as personified by artist and innovator Daan Roosegaarde’s Dream Factory in the city’s upcoming Innovation District M4H.

Telling the story of a place

Despite the huge challenge in re-tuning the city’s somewhat drab industrial image into something altogether more melodious, it can have escaped nobody’s attention that Rotterdam is sweeping away the title of ‘must-visit destination’ across a plethora of media, varying from CNN and Huffington Post, to Vogue and The Guardian, throwing some serious shadow on Amsterdam, it’s old, historic competitor. It seems like every day the city is popping up in different media – a report in Spanish on the BBC World website or films on German TV around resilience and sustainability in the harbour city. This success is largely attributable to the efforts Rotterdam Partners – a focussed and dynamic organisation driven to put the city on the map. Moreover, within Rotterdam Partners, it is International Press Officer, Kim Heinen, who is being lauded for a strategy that makes other cities and destinations sit up and take notice. She has been referred to as the ‘city stylist’ by local blog ‘Vers Beton’ (fresh concrete): a title that is entirely appropriate.  

Place branding? It’s not about the logo

 

Then what is it all about? That’s the provocative question we’ll be debating with top place branding experts from around Europe at the International Place Branding Event Liverpool 2018 on May 31-June 1.

UP is organizing the event, together with Marketing Liverpool, which aims to stimulate discussion about place branding and destination marketing. Featuring speakers from well-known cities and municipalities across Europe, the event will tackle the question that has everyone guessing: what goes into the recipe for a successful place brand, beyond the logo? The event marks the 10-year anniversary of Liverpool’s year as European Capital of Culture, which has been a hugely transformative award for this vibrant city. Since 2008, Liverpool has seen a year-on-year increase in visitors and won external acclaim for its innovative place branding work.

Place branding experts

Place branding experts from Amsterdam, London, Barcelona, Hamburg, Rotterdam, Stockholm and Liverpool itself are among more than 12 speakers who’ll present their ideas about how to go about creating a long term strategy for places and destinations in this global market. A series of Ted-style presentations (18 minutes long) will be followed by lively Q&A sessions with the panel to let the audience debate and question what makes a successful place brand. “It’s an industry which tends to provoke strong views and we don’t expect everyone to agree with each other, so we’re looking forward to hosting a punchy, fascinating couple of days,” said Chris Brown, director of Marketing Liverpool. CEO of UP, Julian Stubbs, said: “Can cities and places be marketed like regular brands? We’ll hear the views on that question and more from some of the leading European cities and practitioners.” Place branding is an industry which is changing at an exceptional pace, thanks to reasons as varied as growing connectivity, the prevalence of social media and even cities’ own success at marketing themselves. Over two days, attendees will hear from some of the leading voices in place branding and take part in sessions designed to challenge conventional wisdom and determine what the future holds and what destinations need to do.

A historic venue sets the tone

The venue is the incredible Rum Warehouse, part of the skillfully renovated Titanic Hotel Liverpool, which is located in what was once the North Warehouse in the historic Stanley Dock area of the Port of Liverpool, a UNESCO World Heritage site. This 1846 building was damaged during a WWII air raid and has been skillfully renovated with careful attention to its historical character. Visiting Liverpool, you can jump into the past and present at the same time as you explore some of the city’s iconic locations such as the Tate Modern Gallery, Terracotta Warriors, The Cavern club or Penny Lane, while immersing yourself in the question of what makes a destination worthy of its brand image. The event marks the 10-year anniversary of Liverpool’s year as European Capital of Culture, which has been a hugely transformative award for the vibrant city. Since 2008, Liverpool has seen a year-on-year increase in visitors and won external acclaim for its innovative place branding work. Brown added, “Place branding has been extremely important here in Liverpool, and has helped us to build a real legacy off the back of a successful 2008. In an increasingly complex environment, destinations can’t rely on just having a nice logo or a catchy slogan; the destinations that understand this are often the ones which lead rankings for desirability amongst visitors and satisfaction of their residents.”

What the presenters say

Some of the event speakers and sponsors shared a few thoughts about what place branding means to them. Olle Zetterberg, CEO of Stockholm Business Region: “The marketing and branding of places has never been more important and today cities, municipalities and countries need to be more visible and promote themselves to compete globally. We are also looking to highlight our city’s DNA to use it in our value-based marketing. The event in Liverpool will bring together a number of very interesting speakers on the subject of building successful places.” Mateu Hernández Maluquer, CEO of Barcelona Global: “Improving the reputation of Barcelona worldwide is a challenge shared by the Mayor’s Office and a coalition of civic and business leaders – including Barcelona Global. I’ll be explaining at this important event in Liverpool our vision for how that works.’’ Stephen Cowperthwaite, regional senior director at GVA, Liverpool: “Liverpool and GVA have been leading discussions with a number of cities around the importance and impact of waterfront regeneration for a number of years now, so the content of this event feels like a natural progression of this conversation. We are proud to be the corporate sponsor for this event and we look forward to getting more involved in these powerful discussions over the coming months.”

Join the discussion

We’re expecting more than 200 attendees from European municipalities, destinations, cities and academic institutions. Will you be one of them? Read more about the speakers and programme.

Register for the event here

 

The Place Branding Podcast: Liverpool

The Place Branding Podcast, Wish You Were Here. This edition: Liverpool. Interviews with Chris Brown, Marketing Director of Liverpool and John Lennon’s sister, Julia, in the famous Cavern Club. Watch out for an announcement about a Liverpool Place Branding event coming soon. The Place Branding Podcast: Liverpool

Places & Brand Reputation. How Fragile?

New Introduction to Original Blog Post: June 5th 2017. It’s been a year since I gave a speech in Brussels about the impact terrorism is having on our cities from a brand and marketing perspective. It was called ‘Places & Brand Reputation. How Fragile?’ In light of the recent terrorist atrocities in Manchester and London I thought it appropriate to add to the original post, which is below. One of my main points about the impact in Brussels was that the city needed to orchestrate a bigger response to what had happened. People were still staying away from the city 3 months after the terrible events in Brussels of March 22nd 2016. Tourists didn’t feel safe and didn’t have the confidence to return to the city. Then look at the response in Manchester. The One Love Concert by Ariana Grande and a host of artists was simply outstanding. The main point was that they were doing something to show and restore confidence. Getting people involved, taking personal risk and most importantly taking active involvement and control. It was impressive. Cities that respond in this way I believe recover far more quickly and find a way to unite and become stronger after such a terrible event. After this last two weeks, everyone has become a little closer to Manchester. One Love-1.jpg   Original Blog Post From June 2016. 

Brussels After the Bombs: Places & Brand Reputation. How Fragile?

The bombings in Brussels on 22nd March 2016 had a devastating impact on the city. Bombs at Brussels airport and a metro station in the city killed 32 people from around the world with many more injured in these attacks. The city has not yet returned to normality in a security sense. However, the impact goes beyond just the security issues, impacting the city’s economic life. The country’s tourist industry is in despair. Hospitality businesses in the northern Flanders region say revenues are down by a third since March 22nd, according to a survey by the Unizo employers’ group.

But what should the city do about trying to repair it’s reputation to bring tourists back to the city?

I was invited to give a keynote speech in Brussels on the topic by the Belgian marketing association STIMA. They wanted me to focus on the damage done to the city’s brand and reputation and to give my thoughts on the long term impact and how the city should respond. The date for the speech was June 23rd, a huge co-incidence for me, as this happens to be the day of the UK EU referendum, and here I am a Brit in the capital city of the EU itself. The first thing to realise is that Brussels is a complex place. Three languages (if you include English) two cultures, French and Flemish, and nineteen mayors apparently. I google the Brussels logotype and end up with a number of differing options. Which Brussels are we talking about? In preparation for my speech I do something that always gives me a little important insight. I conduct my own poll of just 150 diverse friends, from different backgrounds and different nationalities, asking them a very simple question. Brussels: top of mind give me a single word that sums it up for you. A difficult question perhaps, but the answers were revealing. I build these into a word cloud for my presentation (More on this below).

Never waste a good crisis

I’ve always liked the expression Never Waste A Good Crisis. An Icelandic colleague uses it when describing the devastating ash cloud that blanketed Europe back in April 2010. If you remember it, Europe went into lock down. Planes stopped flying. News media flooded into Iceland, broadcasting images of the volcano, Eyjafjallajökull, spewing ash into the sky. After about a week the news media got tired of broadcasting the same images and the Icelanders realised they actually had an opportunity. They had been trying for years to get the international news media to visit their island and here they were. They started getting the news media to cover other aspects of the island nation – other than the volcano. These more positive images were beamed around the world. Not so bad. The following year Iceland launched a fresh and bouncy promotional campaign called Inspired By Iceland. They encouraged people to share their own Icelandic stories. It proved a success. Visitor numbers before the volcanic eruption in 2009 had been under half a million. By 2013 they had risen to over 800,000 with average spend per visitor up as well. A crisis can also offer an opportunity. The second world war can certainly be considered a crisis but just look at what came out of it. We wouldn’t have modern computing if it hadn’t been for the developments on both sides of the Atlantic during world war two. The Americans and their ENIAC, at the University of Pennsylvania and the British with their Colossus at Bletchley Park. Radar also came out of the second world war, and out of radar came the development of microwave cookers (after a technician figured out what was cooking the food he’d left on top of an early radar set). We even have the second world war to thank for the creation of Fanta, the soft drink. In December 1941, as America entered the war, the Germans were denied supplies of the Coke secret ingredient syrup, 7X. Being inventive, the Germans realised they had access to oranges, as they had occupied north Africa, and so they invented a new soda drink – Fantastik, eventually shortened to Fanta. A crisis can also offer an opportunity. So what about cities and places? New York, 1976 and the city and state are reeling from the oil crisis, a devastating crime wave is rampant and, to cap it all, they are on the verge of bankruptcy. President Ford refuses to bail them out. New York is in a deep crisis now. But being New Yorkers they came up with a plan. They needed to get tourists to come back. Back into the restaurants, theatres and hotels. They hit on a strategy based on the idea market today, visitors tomorrow. But they need a symbol. Something that sums up the spirit of New Yorkers. They turn to one of the world’s great graphic designers, Milton Glaser, who is a true New Yorker himself. They asked Milton for a device that can be used with the campaign. Out of that is born the iconic I heart NY logotype. Forty years later and the city has never looked back. (if you are interested in more of the I heart NY story, go to our podcast interview with Milton Glaser himself: Podcast Milton Glazer). Another case, from personal experience, is that of Stockholm – where it took a crisis for the city to take action. In late 2003 my team was selected to work on the branding of Stockholm. It was a fantastic assignment to have won. Stockholm was a city I’d loved since I’d first time I arrived in Sweden ten years earlier and I’d always felt it had not been marketed as it should have been. It struck me that up until that point in time Stockholm had never truly needed to compete. If the city promoted itself and made an effort, it seemed to grow and prosper. If the city did no promotion and didn’t try too hard, it still seemed to grow and prosper. Everything for Stockholm was easy. So there had been no incentive to really compete. But in early 2002 two things changed dramatically. First, the dot-com crash and the associated problems of the telecom giant Ericsson. Stockholm suffered more than many other places in Scandinavia during this period and the city felt the effects of the melt down. Second, the globalisation of the world was well underway. With the growth of the Internet and lower costs of air travel, Stockholm was suddenly competing globally as well as regionally for tourism and inward investment. People and companies had more choice than ever. The city only began to get its act together when faced with these issues in 2002. I’m happy to say that ten years on the resulting work and positioning of the city as Stockholm The Capital of Scandinavia has helped get the city back on top. Today Stockholm is the number one tourist destination in Scandinavia, and the place most international companies choose for their headquarters in this part of the world. Finding a viable and strong positioning for a place or city, a positioning that makes sense, and supports its marketing, can be invaluable in keeping the brand aligned with its true strengths. So a crisis can sometimes be a good thing.

Places as brands and the one word test

When considering the Brussels question and the recent terrorist attacks impact on the city’s brand image, some people might actually question whether a place is a brand at all. This is a legitimate question. But at their simplest brands are really just about what people think. If I say BMW, McDonalds, or Virgin Atlantic you’ll associate those names with certain values and expectations – both good and bad, but you will have perceptions. It’s no different with a place in that respect. Think of London, Paris, San Francisco or even Newark, New jersey and you will have certain perceptions influenced by a whole host of positive and negative interactions. And if say you know nothing of Newark (lucky you) then that informs how you feel about it as well. So places are brands whether you like it or not. They represent and stand for a set of values and expectations in our minds. It’s top of mind stuff that we are interested in at the initial stage. That’s why I like my one word test. That’s why I asked 150 friends to give me their one word for Brussels. Two topics dominated the responses I received. The EU and terrorism. A very distant third were more traditional topics such as The Grande Placewafflessprouts and Tin Tin. Brussels I feel is in a crisis. The EU association was overwhelmingly negative. It was associated with bureaucracyred tapeexcessive costpen pusherspoliticians on a gravy train. Not exactly a very positive association for the city. Even more worryingly, on almost an equal level with the EUas a response, were words associated with the deadly bombings of 22nd March. Terrorismterroristsfeartragedydangerousbombs. It presented a clear picture. I believe if I had taken a larger sample of thousands of people the result would have been fairly similar.

How fragile is brand reputation?

The question I had been asked to consider was how fragile is brand reputation and how long does it take to fix? In this case the brand reputation of a city devastated by terrorist attacks. Are there examples we can look at to gain some insights? Firstly, to take an example from a completely different area, and a far less tragic situation, the case of Volkswagen and the emissions scandal tells us a little about human nature when it comes to forgetting and moving on. The diesel-gate news story broke in September 2015. Within days the CEO, Martin Winterkorn, had resigned and the news just seemed to get worse every day for VW as their blatant cheating with the emissions tests on cars sold throughout the US became clear. Global sales for VW in 2014 had been 10.1 million vehicles and as soon as the crisis hit, sales fell. At the end of 2015 sales had fallen to 9.9 million vehicles for the year. The brand had obviously taken a knock and people were even talking about the impact this had on the German brand itself. A new CEO was appointed, actions are promised and the company announces a €10 billion investment into electric cars as they try to get their mojo back. By mid 2016, as I’m writing this, VW sales have completely recovered and they are back into growth. As one industry commentator said “The consumer doesn’t actually take that long to forgive and forget,”. But the brand has to take action. Do things to convince us the issues are fixed. Performance creates amnesia. Look at the case of Robert Downey junior. Google the image of him being taken away in handcuffs in an orange prison overall to an LA county jail. So what does he do. He takes real, positive, action. He doesn’t launch a PR campaign, he does something much more meaningful. He just does good stuff. He makes good movies. Today we see him as Iron-Man and a great actor. He’s convinced us he’s moved on and that he has changed. Performance creates amnesia. Brands and places can learn a lot from such examples. But the question is does this apply to places? Go back to London and July 7th, 2005. A series of co-ordinated bombings left the city with over forty dead, hundreds injured and the city reeling. It prompted the first instance of consumer generated content, or citizens’ journalism. With smart phones now equipped with cameras, images and films were instantly available as the awful events unfolded. The BBC had over 50 images within an hour. Today the BBC receives over 10,000 e-mails a day when a big story breaks. The impact of the 2005 bombings? Today London feels as relatively safe as any place you could choose. Part of the reason for this is confidence in the security services and their intelligence activities. Part of the price for this security is one surveillance camera for every eleven people in the country. After the events of July 7th 2005 tourism dropped off a cliff. However, by later even in the same year it had recovered and was already growing again and since 2005 the city has staged a successful, and importantly safe, Olympics. Today Turkey is in the cross hairs of the terrorists. Tourism in the country has fallen by 40% in the last two years and recovery looks difficult. Worryingly some places never recover. Look at Beirut, favourite of the jet set in the early 1960s. The point is places and even brands, need to convince us they have taken action. Real action to fix the problems. I believe all brands are fragile but if you take real action, not just launch advertising campaigns or PR initiatives, they can recover with time and care. So my five thoughts about places facing a crisis:
  1. Use a crisis to fix a problem
  2. Positioning can be key (and it’s not just about logos or taglines)
  3. Work and think long term (especially with the politicians)
  4. Real involvement of stakeholders – it’s vital. Involve them fully in the process
  5. Performance creates amnesia (VW and Robert Downey JR,) – don’t just run advertising campaigns, take real action to fix the issue. Better security, positive local action to restore confidence
Brussels problems have not gone away. Taking the taxi to the airport in Brussels still feels like a city under siege, with multiple road blocks and heavily armed soldiers. There are still too many alerts and threats from extremist organisations targeting the city. Brussels needs to genuinelyconvince us it is a secure place again and that they have made real changes to fix the issues they have. Then we can get back to talking once more about moules, frites and tin tin.   The author, Julian Stubbs, is Founder and CEO of UP THERE, EVERYWHERE, the global cloud based agency. He is a senior brand strategist, writer and presenter and works globally with organisations and cities. More here on his presentations: Julian Stubbs on You Tube
Julian Stubbs founder and CEO of UP THERE, EVERYWHERE

Julian Stubbs founder and CEO of UP THERE, EVERYWHERE